My first experiences with Fotospeed papers & lessons learned about soft proofing
I have long used Ilford Gallerie Gold Fibre Silk as my paper of choice for my monochrome prints and Hahnemuhle 308 Photorag for most of my colour prints. I was happy with the Ilford, but the Hahnemuhle was causing me issues. Despite being a beautiful paper, with a lovely texture, it frequently got jammed in my Epson R2880 printer or picked up roller pinch marks. I also found, despite being air blown before printing, that it would shed fibres after printing, leaving white areas on the image. It is an expensive paper and these frustrations got the better of me.
What Are ‘Rendering Intents’ and How Should I Use Them?
I don't know about you, but I love to print my favourite images. It seems such a shame that so many images today lie unseen on hard drives, when really an image is not fully realised until it is printed. There is just something about holding a well made print in the hand which brings out the full beauty of an image.
For many, though, printing is a bit of a dark art and there is much confusion about ICC profiles, paper profiles, gamuts and such like that can be daunting. One area that seems to cause confusion and is not well understood by many is 'rendering intents'.
Should I Back Up to the Cloud?
Can I start by just apologising for this being such a long post, but I wanted it to cover the subject in depth and, hopefully, answer everyones questions. (and I have added some cloud type pictures, just to keep it interesting).
With the advent of fast broadband internet access the possibility of uploading large amounts of data to ‘The Cloud’ has finally become realistic for many. (If you live in a rural area, struggling with primeval broadband speeds, I feel your pain. I have only had a fibre optic connection for the last 18 months. Prior to that I was with you in the slow lane, so I know how it feels).
“The 16:10 from Carnarfon”
An illness in the family meant a long planned personal trip for Liz, Stan and I to France, exploring the Normandy and Brittany coast had to be shelved at the last minute. Instead we headed to North Wales in the camper van, ready to head home at short notice if needed.
I don't know why, whether it was the fact that our plans had had to change with the disappointment that entailed or whether it was just a case of 'photography fatigue' coming from working as a professional but I found myself not touching the camera for ten days. Despite being in such a beautiful part of the country I didn't make a single image. I had no inclination to whatsoever. I just enjoyed relaxing, walking, and resting. No sunrises, sunsets, nothing, not even an iPhone image.
Review of Triplekites new book – Land | Sea
Land | Sea is the new release and the first in a new concept of publication from quality photography book publisher, Triplekite.
The new concept is based around an idea to provide a format which can be published around three times a year allowing portfolios from five photographers to be showcased. Triplekite have set themselves a difficult brief in this as they want to keep the selling price low, at £20, while maintaining their reputation for using very high quality print processes and materials coupled with design which focuses on the beauty of the images.
Creative Photography Webinars with Onlandscape
I made three hour long videos for OnLandscape magazine in 2013 and they are now available via YouTube.
I have collected them together here for you to watch (and enjoy?)
The Fuji X-Pro 1 – How did it perform in the Arctic?
I recently had the chance to take the Fuji X-Pro 1 with me on a workshop I was co-leading up above the arctic circle in the far north of Norway. I thought this would be an ideal opportunity to see how the camera performed in extreme conditions. I also had with me a newly delivered 23mm f1.4 Fuji lens to try out too. The images in this article were all made on the trip and all but the aurora shot are jpegs straight or virtually straight from the camera. If you followed my trip reports from the expedition you will have seen most of these images before (sorry!), but the aurora image with the 23mm lens is new, as are one or two of the others.
Aurora Hunting in Norway, Trip Report – Our Final Day
Our last day is almost over. It seems unlikely we will be out tonight aurora hunting as our final overnight destination, the town of Narvik back in Norway, is blanketed in thick cloud and it is raining (a novelty after all the snow. The temperature is dropping though so more snow is expected).
Aurora Hunting in Norway, Trip Report – Day Six
Finally, after six days of trying, we have seen the aurora.
The relief amongst the group was palpable. Everyone is so happy to have achieved our main goal on this trip.
This is the first time I have seen the aurora and I have to be honest, the display we saw tonight is about as low as the aurora gets.
Aurora Hunting in Norway – Trip Report, Day Five
Another night passes and still no aurora. The tension is now building amongst the group. You can feel the anxiety each evening as we gather over our evening meal to look at the technical data relating to the auroral activity in the atmosphere. Yesterday in the late afternoon the activity suddenly spiked and we thought we would get our first glimpse.
Aurora Hunting, Norway Trip – Day Four
Well, it's been quite a day. As a group we took the decision last night to leave Sommeroy this morning as the weather forecast for the rest of our trip was dire. A low pressure system was going to dominate the whole of the north Norway coast for the next four or five days. Along with high winds driving snow and quite high temperatures for the time of year it meant that photography would be virtually impossible and certainly photographing the aurora would be almost certainly impossible.
Aurora Hunting in Norway, Trip Report – Day Three
The weather today has deteriorated considerably. The temperature has risen a few degrees and it has rained, sleeted and snowed. The wind is stronger and now, at 15:30 in the afternoon as I type this back at our hotel it is dark outside and the wind is howling. The cloud base is very low, there is no way we are going to see the aurora tonight. However, even if the skies were clear, the auroral activity is very low indeed so we might not see it even then.
Aurora Hunting in Norway, Trip Report, Day Two
Last night Tony and I took it in shifts to keep a watch on the skies and the aurora reports but sadly the auroral activity was extremely low and there was nothing to be seen here despite broken cloud. At least the group had a long nights unbroken sleep to get over jet lag.
We headed out after breakfast into great soft pink light (the image above was one I managed to grab from one of the mornings locations). The temperatures here were below freezing all day and are currently around minus 10 a few miles inland. Here on the coast they are a little higher at around minus 2 to 4 but the wind is rising so it feels much colder. No snow has fallen after yesterdays blizzards.
Aurora Hunting in Norway – Trip Report, Day One.
Its 16:00 here in Sommeroy, north Norway and its been dark for two hours. Outside the hotel a blizzard rages. Visibility is below 50 meters at times. Welcome to Norway!
I'm here co-leading a workshop with famed aurora and landscape photographer Antony Spencer for Light & Land. We have just collected our group of 12 clients from Tromso airport and arrived safely at our hotel about an hours drive away. The journey was interesting to say the least as the blizzard raged. Here in Norway, they leave a thick layer of ice on the roads all winter and just scrape away the excess snow.
A New App from the Maker of the Photographers Ephemeris
I was very privileged to be asked by Stephen Trainor earlier this year to be one of the beta testers of a new app he has designed to complement the hugely successful and absolutely essential photographers app, The Photograpers Ephemeris (TPE).
TPE has been around for a while now and is available as a desktop program or as an iOS or Android app. For most landscape and outdoor photographers it has become an essential part of their location planning kit. I couldn't imagine doing my job without it. I also can't imagine the brains and ability that has gone into designing such a complex and useful program.
The Fuji X-Pro 1 – Is It a Landscape Photographers Camera? Some Initial Thoughts.
As followers of my work will know, I have been shooting exclusively wit he Fuji X-Pro 1 for about a month now. My main camera is a Canon 5D mk3 (and I also shoot on film with an ancient and much beloved Hasselblad 500C and wooden Zero Image pinhole camera).
I bought the Fuji primarily for lightweight travel photography, street photography and as a carry anywhere camera. However, as soon as I started to see the results it produced I was keen to see how it performed in my main shooting environment as a professional - the landscape.
Customer Images from Skye Trip
I had a lot of positive comments about my daily trip report blog which I posted while leading a workshop in Glencoe and Skye a few weeks ago. To follow this up I thought it would be nice to show you a few of the images made by members of the group. They have picked some of their personal favorites to show you here. I am always fascinated how several photographers can be at the same location at the same time and yet they capture the place in quite different ways.
Talk for the Royal Photographic Society
I feel very privileged, and a bit frightened, to have been invited by the Royal Photographic Society in the East Midlands to be one of two speakers at their annual 'Landscape Spectacular' event on 17th November.
I am to join talented and creative photographer, Peter Paterson , who is a Fellow of the RPS. We will both be giving lectures on landscape photography and also fielding questions from the audience.
“Sea Fever” – The New Book from David Baker
David Baker, or Milouvision as many of his online followers will know him, has been photographing and blogging for years (www.milouvision.com). Building his following and honing his skills with the camera, he has risen to real prominence over the last couple of years, first winning Outdoor Photography magazines 'Outdoor Photographer of the Year 2012' title, followed by three successful exhibitions and the 2012 Landscape Photographer of the Year 'Your View' category winner, culminating now in the publication of his first book, “Sea Fever”.
Exclusive First Interview with Landscape Photographer of the Year Winner 2013 Tony Bennett
After a long and nail biting wait wait for the photographers who had images shortlisted in this years Landscape Photographer of the Year competition the announcement was made at the weekend that Derby based photographer, Tony Bennett had won the overall prize with his image "Mist and Reflections" (above). I was especially delighted for Tony as I know him as a customer who has been on my workshops (although I take absolutely no credit for his win. Tony is a long established photographer who has been making images for many years).
First Impressions of the Fuji X Pro 1 – A Day on the Streets
I have taken the plunge and bought a second hand Fuji X Pro 1. Why? A number of reasons. I needed a smaller camera system for some trips that could produce high quality commercial images but without the weight and bulk of my DSLR system. I had also had a chance to use the X Pro and it's sibling the X100sa nd both had blown me away both in terms of usability and in the 'filmic' quality of the images the sensor and lenses produce. I also hold my hands up and unashamedly admit to being seduced by the beautiful retro styling and the superb build quality of the Fuji's. I have some workshop ideas for the camera too, so there were commercial considerations in my mind also.
Skye Expedition- Day Seven
Day seven of our expedition to Skye, a day to move on, a day to start heading south again.
The group were up again an hour before sunrise to take on the mighty Sligachan river outside the hotel before breakfast and a frosty sunrise ensure clear views of the Cullin and a chance to capture the raging river and rapids.
Skye Expedition – Day Six
Day six. The Big One. Any landscape trip to Skye necessitates a dawn shoot at the Old Mano of Storr. It is not a huge distance from the road, but the ascent is hard for all but the fittest. With a camera bag and tripod it is even harder. Add to this the fact the ascent has to be made in total darkness and it is a tough climb. In order to be in position up there an hour before sunrise you need to be leaving the car park at the base about an two and a half to three hours before sunrise. So we left our hotel at 04:30.
Skye Expedition – Day Five
Day five dawned and looked, again, unpromising, but is an example of how the weather up in Scotland can be deceptive. Again the group headed out to shoot the Sligachan river below the Cullin. There was not a star in the sky and the cloud hung low over the ridge. It had the makings of a dead loss. However, the old adage that the "harder I work, the luckier I get" proved true. Very gradually the clouds began to move and the light rose spectacularly. The diligence and effort of the group was rewarded with some great images of the Cullin with the mighty falls of Sligachan in the foreground, and all before breakfast.